BPO in the News Archives - BPO https://bpo.org Western New York's professional symphony orchestra Fri, 13 Nov 2020 15:54:08 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.3 https://bpo.org/wp-content/uploads/2019/02/cropped-Untitled-design-32x32.png BPO in the News Archives - BPO https://bpo.org 32 32 World Premiere Naxos Recording Celebrates 150th Birthday of Florent Schmitt https://bpo.org/world-premiere-naxos-recording-celebrates-150th-birthday-of-florent-schmitt/ Mon, 02 Nov 2020 14:57:39 +0000 https://bpo.org/?p=20270

JoAnn Falletta’s newest recording of works by the extraordinary French composer Florent Schmitt with the Buffalo Philharmonic Orchestra is now available as a Naxos Key Release for November, just as the music world marks the composer’s 150th birthday. The album Schmitt: La Tragédie de Salomé – Musique sur l’eau (Naxos 8.574138) features the GRAMMY® Award-winning team performing the symphonic poem La Tragédie de Salomé, Oriane et le Prince d’Amour Suite, Op. 83 and world premiere recordings of the exquisite Musique sur l’eau featuring mezzo-soprano Susan Platts, and Légende in its version for violin and orchestra, marking BPO concertmaster Nikki Chooi’s Naxos recording debut.

Falletta, who has a world-wide reputation for exploring untrodden musical paths and bringing unknown or little-known works to life, calls Schmitt “The most important French composer you might never have heard of” and praises his style as “startlingly beautiful – passionate, brooding, extravagant and wild!” A student of Massenet and Fauré, and winner of the coveted Prix de Rome, Schmitt’s impressionistic style blends influences ranging from Debussy to Wagner, with reference to Stravinsky and other contemporaries.

In describing the music on this recording, Falletta says “Florent Schmitt seemed fascinated by strong women of questionable virtue, and his The Tragedy of Salome is a masterful retelling of the exotic beauty who dances for Herod and demands the head of John the Baptist as her reward. A stunning moment in the piece which was conceived as a ballet but revised as a symphonic poem is the wordless singing of Salome and her young handmaidens, beautifully realized by mezzo-soprano Susan Platts and the Women’s Choir of Buffalo.

This is passionate and seductive music at its best, and Schmitt creates a landscape that is both sensuous and dangerous. He takes a similar approach with the insatiable Oriane, and the alternation of gorgeous love music and wild orgiastic dances is absolutely thrilling. Susan Platts is also featured in one of the most beautiful orchestral songs ever composed – Musique sur l’eau, a jewel of a composition that rivals the greatest works in that genre. Violinist Nikki Chooi is the radiant soloist in Légende, a brooding and ecstatic rhapsody never before heard in Schmitt’s version for violin and orchestra.”

This is the second album of music of Schmitt by Falletta and the Buffalo Philharmonic. The first, Schmitt: Antoine et Cléopâtre Suites Nos. 1 and 2 / Le Palais Hanté (Naxos 8.573521) received 5 stars from Pizzicato and Classical Music Magazine, was a Music Web International Recording of the Month, and was hailed by Fanfare Magazine saying “Falletta and the Buffalo Philharmonic prove to be a winning combination. She paces the music perfectly… and the orchestral textures are warmly and clearly reproduced.”

Grammy-winning conductor JoAnn Falletta serves as Music Director of the Buffalo Philharmonic Orchestra, and the Connie and Marc Jacobson Music Director Laureate of the Virginia Symphony Orchestra, Principal Guest Conductor of the Brevard Music Center and Artistic Adviser to the Hawaii Symphony Orchestra and the Cleveland Institute of Music Orchestra. As Music Director of the Buffalo Philharmonic, Falletta became the first woman to lead a major America ensemble. Her recent and upcoming North American guest conducting includes the National Symphony, Detroit Symphony, Nashville Symphony, Indianapolis Symphony, and Milwaukee Symphony; and further north, the Toronto Symphony and Orchestre Métropolitain. Internationally, she has conducted many of the most prominent orchestras in Europe, Asia and South America. With a discography of almost 120 titles, Falletta is a leading recording artist for Naxos. In 2019, she won her first individual Grammy Award as conductor of the London Symphony in the Best Classical Compendium category for Spiritualist, her fifth world premiere recording of the music of Kenneth Fuchs. Her Naxos recording of Mr. Tambourine Man: Seven Poems of Bob Dylan received two Grammys in 2008. Recent releases by the BPO for Naxos include the highly acclaimed world premiere recording of Richard Danielpour’s The Passion of Yeshua. Gramophone praised the recording saying “JoAnn Falletta is a forceful champion of the score, which she shapes with sensitive and potent authority” and Records International calls it a “work of glowing spirituality.”

Susan Platts brings a uniquely rich and wide-ranging voice to the concert and recital repertoire and is particularly esteemed for her performances of Mahler’s works. Her previous Naxos recordings include a disc with JoAnn Falletta and the Virginia Arts Festival Chamber Players of Mahler songs arranged by Schoenberg. She is a Rolex Mentor and Protégé Arts Initiative Fellow, which gave her the opportunity to study with Jessye Norman. Platts has performed with, among others, The Philadelphia, Cleveland and Minnesota Orchestras, Orchestre de Paris and the BBC Symphony Orchestra.

Canadian violinist Nikki Chooi has established himself as an artist of rare versatility. Described as “vigorous, colorful” by the New York Times, he has appeared at Chicago’s Harris Theatre, Philadelphia’s Kimmel Center, New York’s Carnegie Hall, as well as on nationwide tours with Musicians from Marlboro. He has performed as soloist with orchestras including the Montréal Symphony, Calgary Philharmonic, the National Arts Centre Orchestra, the St. Petersburg State Orchestra, National Orchestra of Belgium, Malaysian Philharmonic and Hong Kong Philharmonic. Chooi is concertmaster of the Buffalo Philharmonic Orchestra and previously served as concertmaster of the Metropolitan Opera Orchestra.

To purchase this and other BPO recordings, click here.

Click below to listen to a sound sample of La Tragédie de Salomé – Symphonic Poem, Op. 50 – Track 1 excerpt.

Click here to watch JoAnn Falletta discuss the orchestral music of Schmitt.

Click here to watch JoAnn Falletta discuss the 150th birthday of Schmitt.

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PRESS RELEASE: BPO presents FREE September Sessions video performance mini-fest https://bpo.org/press-release-bpo-presents-free-september-sessions-video-performance-mini-fest/ Wed, 09 Sep 2020 20:40:14 +0000 https://bpo.org/?p=19360

FOR IMMEDIATE RELEASE

CONTACT:       Patrick O’Herron, Director of Marketing, poherron@bpo.org
WEBSITE:        www.bpo.org
FACEBOOK:    Buffalo Philharmonic Orchestra
TWITTER:        @BPOrchestra  
INSTAGRAM:  @buffalophilharmonicorchestra
IMAGES:          bpo.org/image-archive

Buffalo Philharmonic Orchestra presents September Sessions, a FREE 3-part video performance mini-fest to welcome in the 2020-21 concert season

BUFFALO, NY — Lovers of classical music will rejoice as the Buffalo Philharmonic Orchestra welcomes in the 2020-21 concert season with September Sessions, a free 3-part video performance mini-fest. The series features solo and small ensemble performances by BPO musicians, all of whom perform in Kleinhans Music Hall adhering to new social distancing and safety protocols. Musicians will add insight on each piece performed, including the history of the piece and its composer, and the reasons each of the ensembles chose to share the work with the Western New York community. Each “Session” will premiere at 9.a.m. on Sept. 11, 12 and 13, and will be available for a limited time to stream on-demand at bpo.org via computer or mobile device. September Sessions serves as a prelude to the BPO’s previously announced BPOnDemand video-streamed series. The orchestra has pivoted to BPOnDemand for its fall and holiday programs as it awaits guidelines from New York State on the reopening of Kleinhans for live performances.

“I am so thrilled that our musicians have put together these beautiful performances as a gift for the Western New York community, which has been so supportive of the orchestra during this time,” commented JoAnn Falletta, music director. “While nothing can replace the live concert experience, we have worked with our audio and video experts to present the next best option. These video-streamed September Sessions bring the acoustic splendor of Kleinhans right to the homes of our patrons, providing an up-close-and-personal perspective on the concert experience with our incredible musicians.”

“It’s been exciting for my fellow musicians and I return to Kleinhans,” said BPO oboist Joshua Lauretig. BPO musicians have been on performance hiatus since the 2019-20 concert season was abruptly cut short in March due to the pandemic. “The September Sessions have allowed us to explore some fantastic repertoire we wouldn’t normally have the opportunity to perform together. While so many orchestras have canceled all or part of their forthcoming seasons, we are so grateful to be able to continue working and performing for all of our fans in Buffalo and beyond.”

The September Sessions broadcast schedule and repertoire is as follows:

SESSION 1
Premiering Fri. Sept. 11, 9 a.m.

HAYDN  London Trio No. 1
Joshua Lauretig, oboe
Xiaofan Liu, violin
Roman Mekinulov, cello

TELEMANN  Viola Concerto
BPO string ensemble
Caroline Gilbert, viola
JoAnn Falletta, conductor

DVOŘÁK  American Quartet
Nikki Chooi, violin
Amy Glidden, violin
Antoine Lefebvre, violin
Roman Mekinulov, cello

SESSION 2
Premiering Sat. Sept. 12, 9 a.m.

HOLST  St. Paul’s Suite
BPO string ensemble
Jaman E. Dunn, conductor

VLADIMIR DYCK  Kadisch
MENDELSSOHN  Song Without Words
Robbie Hausmann, cello
Alfred Frenning, piano

PHILIDOR March for Two Pairs of Kettledrums
Matthew Bassett, timpani
Dinesh Joseph, timpani

HANDEL-HALVORSEN  Passacaglia
Amy Glidden, violin
Kate Holzemer, viola

SESSION 3
Premiering Sun. Sept. 13, 9 a.m.

HANDEL  Trio Sonata No. 2 in D minor
Joshua Lauretig, oboe
Anna Mattix, oboe
Glenn Einschlag, bassoon

KUMMER  Duet Op. 22
Amelie Fradette, cello
David Schmude, cello

ANTHONY DILORENZO  Firedance
BRAHMS  Es ist ein Ros’ entsprungen
Alex Jokipii, trumpet
Geoffrey Hardcastle, trumpet
Jacek Muzyk, French horn
Jonathan Lombardo, trombone
Filipe Pereira, bass trombone

BACH  Violin Concerto No. 1 in A minor
BPO string ensemble
Amy Glidden, violin
JoAnn Falletta, conductor

Major support for September Sessions is provided by M&T Bank, Erie County, the New York State Council on the Arts (NYSCA), and the National Endowment for the Arts (NEA).

Subscriptions to the 2020-2021 concert season and individual tickets to the BPOnDemand series are on sale now. Patrons are encouraged to join the BPO e-mail list at bpo.org to receive the latest performance and event updates, and to call the Box Office at (716) 885-5000 with any questions. Please note that the Box Office is working remotely during this time, Monday through Friday, 10 a.m. to 5 p.m. and Saturday, 9 a.m. to 1 p.m.

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ABOUT BUFFALO PHILHARMONIC ORCHESTRA
The Buffalo Philharmonic Orchestra Society, Inc. provides a resident, professional, major symphony orchestra of artistic excellence and integrity to enrich the quality of life in Western New York through the presentation of live symphonic music and other musical events that educate and entertain the broadest possible audiences within and beyond the Western New York region. Since its founding in 1935, the BPO has served as Buffalo’s cultural ambassador. JoAnn Falletta is the Music Director of the Grammy® Award-winning orchestra, which presents more than 120 Classics, Pops, Rock, Kids and Youth concerts each year for over 200,000 people. For more information, visit bpo.org.

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PRESS RELEASE: Revised 2020-21 Fall and Holiday Programs https://bpo.org/press-release-revised-2020-21-fall-and-holiday-programs/ Wed, 12 Aug 2020 15:20:17 +0000 https://bpo.org/?p=18995

FOR IMMEDIATE RELEASE

CONTACT:       Patrick O’Herron, Director of Marketing, poherron@bpo.org
WEBSITE:        www.bpo.org
FACEBOOK:    Buffalo Philharmonic Orchestra
TWITTER:        @BPOrchestra  
INSTAGRAM:  @buffalophilharmonicorchestra
IMAGES:          bpo.org/image-archive

Buffalo Philharmonic Orchestra pivots to video-streamed concerts for 2020-21 fall and holiday programs

Revised M&T Bank Classics and BPO Pops programs to be broadcast from Kleinhans Music Hall on Saturday evenings September through December

BUFFALO, NY — As Buffalonians join the rest of the world in adjusting to the new normal brought by the pandemic, so too must the Buffalo Philharmonic Orchestra. Devoted to the mission of presenting symphonic music for the entire Western New York community, no matter the circumstances, today the BPO announces new plans for video-streamed concerts in lieu of live concerts, since audiences are not yet allowed in Kleinhans Music Hall per New York Forward guidelines.

The new video-streamed performance series, BPOnDemand, will use state-of-the-art audio and video recording technology bringing the magical acoustics of Kleinhans into the living room of patrons via their home computer or mobile device. The series will be broadcast on Saturdays at 8 p.m. and available on-demand for a limited time thereafter. BPOnDemand performances will be made available to all current subscribers for free, as well as those patrons near and far who wish to purchase a virtual ticket on a concert-by-concert basis.

Revisions to the 2020-21 season repertoire announced this past January have been necessary in order to accommodate an orchestra of socially-distanced size. Previously announced guest artists will be re-engaged later in the 2020-21 season or in future seasons. M&T Bank Classics series headliner Renee Fleming has expressed sincere disappointment that she will not be able to perform for Buffalo audiences this season but has graciously committed to a performance on the 2021-22 season.

The BPOnDemand video-streamed performance series serves not only as an outlet for lovers of symphonic music to once again enjoy the concert experience in a new and inventive way, but also helps to ensure that the 73 full-time musicians of the BPO remain employed.

“Working with our audio and video experts, we are certain that we will be able to present the next best option to live performances—streamed video performances that make use of the magical acoustics of Kleinhans and also provide a rarely seen up-close-and-personal perspective on the concert experience with our incredible musicians,” commented JoAnn Falletta, music director, “but the musicians and I still hold hope that we will be able to perform for live audiences soon.”

 

The revised schedule for the BPO’s 2020-21 M&T Bank Classics fall and holiday concert programming with Music Director JoAnn Falletta is as follows:

A Celebration of the Seasons
Streaming Sat. Sep. 26, 8 p.m.

A theme of joyful rebirth takes center stage as JoAnn Falletta conducts the opening of the BPO season. Copland’s Appalachian Spring, an enduring portrait of the American landscape, and Vivaldi’s The Four Seasons, an exquisite musical narrative of nature’s seasons played by concertmaster Nikki Chooi and set to a visual display of Vivaldi’s poetry, are paired with a contemporary work, Starburst by Jessie Montgomery, a past finalist of the national Sphinx Competition for young Black and Latinx classical string players.

Love & Longing
Streaming Sat. Oct. 10, 8 p.m.
Two works originally composed for keyboard and later transcribed for orchestra, Bach’s Concerto for Piano and Orchestra in D is a virtuosic display of technique and interpretation played by principal pianist for the New York Philharmonic, Eric Huebner, while Grieg’s Holberg Suite invokes dancing rhythms. Dvořák’s Serenade for Winds, Op. 44 in D was composed in only two weeks, capturing the lyrical and lively flavor of his native Bohemia. JoAnn Falletta conducts.

Tartan & Tango
Streaming Sat. Oct. 24, 8 p.m.
Intoxicating Spanish rhythms highlight the performance by hometown favorite, guitarist Jason Vieaux, in this program conducted by JoAnn Falletta featuring two tangos from Argentinean master Astor Piazzolla: Las Cuatro Estaciones Porteñas (The Four Seasons of Buenos Aires) and Libertango. Combined with Puccini’s Crisantemi, a poignant and dramatic elegy for a fallen friend, and the beauty and yearning for the Highlands in Bantock’s Celtic Symphony, this program expresses a full range of emotion.

A String Serenade
Streaming Sat. Nov. 7, 8 p.m.

As the first African American to be awarded the Pulitzer Prize for Music (1996), it is fitting that George Walker’s Lyric for Strings is included on a program of works brimming with inspiration. Mozart’s Wind Serenade No. 11 K. 375 is pleasingly playful yet heartfelt, Handel’s Harp Concerto No. 6, played by principal harpist Madeline Olson, lends the harp a delicate magic, and Bach’s Air is celestial with the instantly-recognizable second movement of his Baroque masterpiece. JoAnn Falletta conducts.

Bach, Beethoven & Beyond
Streaming Sat. Nov. 21, 8 p.m.

Two early 20th century composers have grand masters to thank in this classic program conducted by JoAnn Falletta. Beethoven’s Septet led to increased early fame for the young composer. The extraordinary and familiar Brandenburg Concerto No. 3 by J.S. Bach was an inspiration for Stravinsky’s Dumbarton Oaks, and Respighi’s Ancient Airs and Dances Suite No. 3 was influenced by Baroque-era Italian works.

Baroque Fireworks
Streaming Sat. Dec. 5, 8 p.m.

Baroque takes center stage as JoAnn Falletta conducts Handel’s Music for the Royal Fireworks with its iconic and lavish score, Bach’s Brandenburg Concerto No. 6, and Marcello’s Oboe Concerto in C minor played by principal oboist Henry Ward, which echoes the lyricism of an aria. Your BPO brass plays an exciting work by the influential 16th century organist Giovanni Gabrieli, and Wagner’s Siegfried Idyll, a delicate musical love letter to his new wife on her Christmas birthday, complete this Baroque program.

JoAnn’s Classical Christmas
Streaming Sat. Dec. 12, 8 p.m.

BPO musicians highlight our annual offering when Sal Andolina presents a special saxophone rendition of holiday favorites, and the BPO Brass shine in Darin Kelly’s Of Nights and Lights, a sparkling Hanukkah composition. Perennial classics including selections from Menotti’s Amahl and the Night Visitors, Respighi’s “The Adoration of the Magi,” Vaughan-Williams Fantasia on Greensleeves, and more bring the spirit of the season to life.

 

The revised schedule for the 2020-21 BPO Pops fall and holiday concert programming with Principal Pops Conductor John Morris Russell is as follows:

Broadway to Buffalo
Streaming Sat. Oct. 3, 8 p.m.

The Pops season opens with the new generation of Broadway stars along with Buffalo’s Second Generation Theatre Company, as Principal Pops Conductor John Morris Russell conducts beloved musical theatre favorites including classics from Rogers and Hammerstein, Bernstein and Andrew Lloyd Webber to Kander and Ebb, Schwartz and Miranda. An evening of song and celebration!

That Studio Sound: Jazz Classics for Lovers
Streaming Sat. Oct. 17, 8 p.m.

From the famed recording studios at Capitol Records in Los Angeles, arranger Nelson Riddle and the biggest singing sensations of the era created a body of work that defines the cool sophistication of popular jazz in the 1950s and 60s. The BPO brings arrangements of classics by Gershwin, Porter and Jobim, recorded by the likes of Frank, Nat, and Ella, back to life in all their original splendor with Buffalo crooners Katy Miner and Chris Vasquez. A romantic evening of sultry swing

Simply Bewitching
Streaming Sat. Oct. 31, 8 p.m.

From Hollywood horror, chilling orchestral classics and creepy musical tales, you’ll be spellbound by the magic of your BPO. Music from Psycho, The Legend of Sleepy Hollow and autumnal favorites weave together an enchanted night of thrills and chills.

A Brass Act
Streaming Sat. Nov. 14, 8 p.m.
Thrill to the power and majesty of the BPO Brass as they perform popular classics, from splendid fanfares and marches, to ragtime and jazz. A jamboree of musical styles from the world over that will be glorious, tuneful, irreverent, and fun. You won’t want to miss a beat!

John Morris Russell’s Holiday Pops
Streaming Sat. Dec. 19, 8 p.m.

Celebrate the holidays with “Mr. Christmas” himself, Maestro John Morris Russell, with festive Pops favorites from your BPO! It’s Western New York’s most celebrated holiday tradition with an eclectic variety of seasonal music from popular song, film, musical theatre, gospel and jazz. As heartwarming as it is fun, it’s a concert for everyone, featuring guest appearances by soulful Buffalo singers Zoe Scruggs and George Brown and maybe even the “man with the bag” himself… if you’re nice!

All artists and repertoire are subject to change. Further details about all programs on the 2020-2021 concert season can be found at bpo.org

 

Performances scheduled January through June of 2021 remain as scheduled for the time being, though Music Director JoAnn Falletta, Principal Pops Conductor John Morris Russell, and the BPO leadership team are closely monitoring the ever-evolving pandemic situation and are actively working on alternative programs that will meet social distancing guidelines.

Current subscribers to the 2020-21 season who have tickets for concerts that fall within the September through December timeframe will automatically have their tickets converted to a FLEX pass, to be redeemed at the subscriber’s leisure for a concert later in the season when the BPO hopes to once again be able to host live audiences. All subscribers will be contacted by the Box Office staff over the coming weeks to discuss their preferred BPO experience this season. Subscribers are encouraged to await contact from the BPO, but those with urgent questions may call the Box Office at (716) 885-5000.

Subscriptions for the 2020-21 concert season are still on sale now including the incredibly flexible FLEX Pack option, which allows patrons to secure the benefits of a subscription now and choose concert preferences later. Your subscription will give you access to the BPOnDemand video-streamed performance series, plus tickets for live concerts when they resume and other subscriber benefits, including easy ticket exchanges.

Single tickets for the BPOnDemand series will be available for purchase beginning September 1, 2020. Tickets for live performances later in the season will be made available at a later date. Patrons are encouraged to sign up at bpo.org to receive the latest updates via the BPO e-mail list, and to call the Box Office at (716) 885-5000 with any questions. Please note that the Box Office is working remotely during this time, Monday through Friday, 10 a.m. to 5 p.m. and Saturday, 9 a.m. to 1 p.m.

Major corporate support for the BPO is provided by M&T Bank, BlueCross BlueShield of Western New York, Calspan, Elderwood and Keybank. Government support is provided by Erie County, the New York State Council on the Arts, and the National Endowment for the Arts.

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ABOUT BUFFALO PHILHARMONIC ORCHESTRA
The Buffalo Philharmonic Orchestra Society, Inc. provides a resident, professional, major symphony orchestra of artistic excellence and integrity to enrich the quality of life in Western New York through the presentation of live symphonic music and other musical events that educate and entertain the broadest possible audiences within and beyond the Western New York region. Since its founding in 1935, the BPO has served as Buffalo’s cultural ambassador. JoAnn Falletta is the Music Director of the Grammy® Award-winning orchestra, which presents more than 120 Classics, Pops, Rock, Kids and Youth concerts each year for over 200,000 people. For more information, visit bpo.org.

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New Buffalo Philharmonic Orchestra recording features works custom-made for the Nickel City https://bpo.org/new-buffalo-philharmonic-orchestra-recording-features-works-custom-made-for-the-nickel-city/ Thu, 06 Dec 2018 21:47:29 +0000 https://bpo.org/?p=8631 ... Read more »]]> BUFFALO, NY — The follow-up to 2015’s ultra-popular “Built For Buffalo” recording is here.

“Built For Buffalo 2” is now available through the Buffalo Philharmonic Orchestra box office and website. Released on the BPO’s house label, Beau Fleuve, and recorded over four years, it features the world premiere recordings of three pieces commissioned for BPO musicians.

Reflecting on the music, all of which she conducted, BPO Music Director JoAnn Falletta said “The works are a fascinating reflection of the individual personalities of the soloists — composed to mirror their characters and their very special musicianship. The CD features the musicians as stars as they step to the front of the stage.”

Jaakko Kuusisto’s Concerto for Trumpet and Orchestra was composed for BPO Principal Trumpet Alex Jokipii and commissioned by the Marquette Symphony Orchestra in honor of Finland’s centennial celebration. Finnish-American philanthropists John and Pauline Kiltinen funded the project. Jokipii spent a year studying at the Sibelius Academy in Helsinki and became acquainted with fellow student Kuusisto there. The two men reconnected in 2015 when Kuusisto came to the BPO for the American premiere of his violin concerto, and the idea for the trumpet concerto was born. In May 2018, Jokipii and the BPO gave the Buffalo premiere of the piece.

Kuusisto is a renowned composer, arranger, conductor and violinist. He has composed more than 40 works, including two operas and served as concertmaster of the Lahti Symphony Orchestra from 1998 to 2012. Jokipii has been the BPO’s Principal Trumpet since 1998 and is on the performance faculty at the State University of New York at Fredonia. He has performed as soloist with the BPO, and has also served as guest principal trumpet with the New York Philharmonic, Dallas Symphony, Helsinki Philharmonic and other distinguished orchestras.

Robert Deemer’s “Vox Humana” for English horn, Soprano and Orchestra was first performed at Canisius College in 2016. Deemer is head of composition in the school of music at the State University of New York at Fredonia. He wrote “Vox Humana” in response to the international refugee crisis. The title is a reference to an obsolete instrument related to the English horn, to the inclusion of a soprano, and to the voice of humanity.

Anna Mattix is the featured BPO soloist on the piece. Since 2007, she has served as the orchestra’s oboe/English hornist. Prior to her tenure at the BPO, she was principal oboe with the Indianapolis Chamber Orchestra and English horn with the Owensboro Philharmonic. Her 2014 performance of Jean Sibelius’ “The Swan of Tuonela” was also recorded for the BPO’s Beau Fleuve label. Brooklyn-based Canadian soprano Danielle Buonaiuto also performs on the piece. Buonaiuto specializes in art song and new music. She has received grants from New Music USA, Peabody Conservatory, and has held fellowships at the Lucerne Festival, Bang on a Can at Mass MOCA, and Avaloch Farm Music Institute.

Caroline Mallonee’s “Whistler Waves” for Cello and Orchestra was first heard at Canisius College. BPO Associate Principal Cellist Feng Hew is the soloist on this piece, which was inspired by the eponymous waves: audible frequencies produced in the atmosphere after a bolt of lightning. Each movement of the piece corresponds to a type of whistler wave. Mallonee is based in Buffalo, and holds a Ph.D from Duke University, a master’s degree from Yale School of Music, and a bachelor’s degree from Harvard University. Her work has been performed throughout the world. Hew has been the BPO’s Associate Principal Cellist since 1999. A native of Taiwan, she earned both her bachelor’s and master’s degrees from the New England Conservancy of Music on a full scholarship. She has performed in Japan, Singapore, Hong Kong, Taiwan and Canada, and she worked extensively with Emmanuel Ax and Yo-Yo Ma at the Irving Gilmore International Music Festival.

The disc is available through the Buffalo Philharmonic Orchestra at bpo.org or at the Kleinhans Music Hall box office.

 

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BPO names names Jaman Edward Dunn as first-ever appointee to new Community Engagement conducting position https://bpo.org/jamandunnrelease/ Sat, 06 Oct 2018 20:43:08 +0000 https://bpo.org/?p=8629 ... Read more »]]> BUFFALO, NY – Jaman Edward Dunn will become the first-ever Assistant Conductor,
Community Engagement of the Buffalo Philharmonic Orchestra, starting later this month.
The one-year Assistant Conductor position was funded by Round VII of the New York
State Council on the Arts Regional Economic Development Council initiative and is part
of the BPO’s ongoing efforts to engage with all parts of the Buffalo community in a
meaningful way and to serve diverse audiences.

Dunn was selected from a slate of six candidates who came to Buffalo from as far away
as Germany and Argentina for a closed conducting audition. Each candidate had an
opportunity to conduct the orchestra, deliver a speaking presentation to members of the
orchestra, board and community, and take part in an interview process.
Dunn will lead the May 2019 Side-By-Side concert with the Buffalo Academy for Visual
and Performing Arts, which includes not only the music students performing onstage
with the BPO, but dance, theatrical and visual elements put together by students in the
other programs. He will also take part in the Music for Youth education concert series,
BPO Kids concerts, school outreach, cover conducting duties and will participate in the
BPO Diversity Council.

Dunn has been studying conducting since high school. A Chicago native, he began his
musical education as a violinist at the age of 8. He attended The Ohio State University
for vocal performance, where he founded the Buckeye Philharmonic, which remains
Ohio State’s only student-run and operated orchestra. He is a recent graduate of The
Boston Conservatory at Berklee with a Master’s of Music degree in conducting.
During his studies, he led the Conductor’s Orchestra at Berklee in works of Strauss,
Brahms, Walton, and Dvořák; and he has assisted the Boston Conservatory Orchestra in
works of Mahler, Shostakovich, and Prokofiev. Separate from his program requirements,
Dunn has conducted self-promoted concerts of Vaughan Williams, Respighi, John
Williams, Mendelssohn, and Elgar. Maestro Dunn has also conducted the Berklee
Boston Conservatory Recording Orchestra in compositions by rising composers in the
fields of classical and film music. He balances this with a continued career as a vocalist.

“I am extremely excited to be appointed to this position with the Buffalo Philharmonic
Orchestra,” Dunn said. “I am very passionate about conducting, but even more than
that, I am very passionate about the presence of minorities in classical music. One of the
biggest challenges I have experienced is the underrepresentation of African-American
role models in this field. I hope that with this position, I can add to the presence of
African-American conductors in the performance field in order to make visibility that
much stronger. I can’t wait to begin this journey with the Buffalo Philharmonic.”

About the BPO
As Buffalo’s cultural ambassador, the Grammy Award-winning Buffalo Philharmonic Orchestra under
the leadership of music director JoAnn Falletta presents more than 100 concerts each year. Since 1940,
the orchestra’s home has been Kleinhans Music Hall, a National Historic Landmark with a reputation as
one of the finest concert halls in the United States. During the tenure of JoAnn Falletta, the BPO has
rekindled its history of radio broadcasts and recordings, including the release of 45 new recordings on
the Naxos and Beau Fleuve labels.

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Bokyung Byun becomes first female winner of JoAnn Falletta International Guitar Concerto Competition https://bpo.org/bokyung-byun-becomes-first-female-winner-of-joann-falletta-international-guitar-concerto-competition/ Mon, 11 Jun 2018 20:12:33 +0000 https://bpo.org/?p=7429 ... Read more »]]>

BUFFALO, N.Y. — Following tonight’s final round performance with the Buffalo Philharmonic Orchestra, Bokyung Byun of  South Korea won first place and Musician’s Choice in the eighth biennial JoAnn Falletta International Guitar Concerto Competition. Byun is the first woman to win the Competition. Tengue “TY” Zhang of China captured Audience Favorite and second place. Congyi Zhang won third place, and also received the inaugural William and Carol Greiner Award, encouraging the performance of lesser-known works, for his performance of Ernesto Cordero’s Concierto Antillano.

Eight classical guitarists, representing five nations, competed throughout the week. After a round of semi-finals performed with an accompanist, the judges’ panel chose three finalists to perform with the Buffalo Philharmonic Orchestra under Music Director JoAnn Falletta, herself a classical guitarist.

Byun will receive a solo concert at the Fondazione La Società dei Concerti in a recital among the series “Winners!” of Incontri Musicali at Gaber Auditorium in Milano, Italy, along with a $10,000 cash prize, national and international broadcast exposure, and a return engagement with the BPO.

Byun began playing guitar at age 6. At the age of 11, she began going on concert tours in Korea. By her teen years, she had won competitions held by the Korea Guitar Association, the Music Association of Korea, and the Guitar Foundation of America. She was the first guitarist ever to be admitted to Juilliard’s undergraduate guitar program. She is now pursuing a doctoral degree at the University of Southern California as the recipient of the prestigious International Artist Fellowship. She is 23. Byun performed Concerto pour Guitare et Petit Orchestra by Heitor Villa-Lobos and Salseado from Sonata for Guitar by Roberto Sierra.

Tengue Zhang, who often goes by “TY,”  was the First Prize winner of the 2017 Guitar Foundation of America International Concert Artists Competition. He studied in China at the Music School of the Central Conservatory of Music in Beijing, and has been a student of Sharon Isbin at The Juilliard School since 2012, where he received his B.M. and M.M. His debut CD will be released on the Naxos label later this month. He is 24. TY will receive $3000.

Congyi Zhang is from Beijing, China, and is currently living in New York City. Congyi first learned to play classical guitar under his father’s instruction at age 8. He attended Central Conservatory of Music of China Middle School, graduated from Central Conservatory of Music of China in Beijing in 2016 with his Bachelor of Music degree, and is now a first year Master of Music scholarship student at Mannes School of Music in New York City. Congyi will receive a $1000 cash prize for his third-place win and a $3000 cash prize from the Greiner Award.

Buffalo-based Joanne Castellani and Michael Andriaccio, a well-known international chamber   ensemble guitar duo, are the Competition’s artistic directors. In addition to Castellani and Andriaccio, the live competitions were judged by guitarists Francisco Bernier and Irina Kulikova; composer Eric Sessler; guitarist and educator Michael Newman; artistic agent Sean Samimi; and audio engineer David Dusman.

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Facebook: We have a winner! Bokyung Byun of South Korea is the first female winner of the  JoAnn Falletta International Guitar Concerto Competition #fallettacomp18

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  About the Competition

Founded in 2004 and organized by WNED ǀ WBFO and the Buffalo Philharmonic Orchestra, the competition is one of the foremost musical events in the world and the first concerto competition for classical guitarists. It is named in honor of the BPO’s music director, JoAnn Falletta. Past winners include Marcin Dylla, Marko Topchii, and Celil Refik Kaya. For more information about the competition, visit bpo.org/joann-falletta-international-guitar-concerto-competition .

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JoAnn Falletta to receive SUNY Honorary Doctor of Music at Buffalo State College https://bpo.org/joann-falletta-to-receive-suny-honorary-doctor-of-music-at-buffalo-state-college/ Thu, 17 May 2018 20:44:54 +0000 https://bpo.org/?p=7235 ... Read more »]]> Buffalo State College will confer degrees on 1,900 undergraduate and 683 graduate students during its 146th commencement celebration, Saturday, May 19, in the Sports Arena.

Degree candidates will be honored at morning (9:00 a.m.) and afternoon (1:00 p.m.) baccalaureate ceremonies and an evening (5:00 p.m.) master’s hooding and certificate of advanced study (C.A.S.) ceremony.

The 9:00 a.m. ceremony is for degree candidates from the School of Education and School of the Professions. The 1:00 p.m. ceremony is for degree candidates from the School of Arts and Humanities and School of Natural and Social Sciences.

JoAnn Falletta, music director of the Buffalo Philharmonic Orchestra and Virginia Symphony Orchestra, will receive a SUNY Honorary Doctor of Music and deliver the commencement address at the morning and afternoon ceremonies.

The Buffalo Philharmonic extends its congratulations to its beloved Maestro on this well-deserved honor!

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Listening Post: Wagner https://bpo.org/listening-post-wagner/ Fri, 06 Apr 2018 18:52:47 +0000 https://bpo.org/?p=6996 ... Read more »]]> Review by Jeff Simon, Buffalo News, April 6, 2018

Wagner, Orchestral Music from “Der Ring des Nibelungen” performed by Buffalo Philharmonic Orchestra conducted by JoAnn Falletta (Naxos). If you take an historical overview of the Buffalo Philharmonic Orchestra you have to conclude that no BPO conductor has achieved anything close on record with the orchestra to the recording presence that Falletta has. Foss’ avant-garde influence on the BPO was profound on the orchestra and the city, but the recordings he produced weren’t. Michael Tilson Thomas’ decision to use the  BPO to record the complete music of Carl Ruggles was the BPO’s most consequential recorded moment, along with its recording of Terry Rley’s “In C.” But you could argue that the BPO’s records for Naxos have been the fulfillment of the orchestra conducted years ago by Steinberg and Krips. It’s Naxos’ marvelous insistence on using the BPO for “big” works with a “big” orchestral sound are making every new disc a potential wonderment. They aren’t all on the level of the BPO’s version of Gliere’s “Ilya Murometz” Symphony no. 3 (probably the orchestra’s most arresting performance on record), but this is a work of immense musical substance performed by the orchestra with the sonic size and authenticity one could hope for. The significance can’t be overstated. Wagner’s “Ring” cycle requires, from listeners, an investment of time and dedication hard to come by in the digital age. To hear so much of its wonderful music, this one disc Falletta anthology of Wagner’s “Ring” sans voices presents a near-perfect distillation for novices of the genius of a composer who was a historical horror in countless ways (racial, personal) but, undeniably one of the most sublime who ever lived along with it. ★ ★ ★ ★

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A celebration in Lublin https://bpo.org/a-celebration-in-lublin/ Fri, 23 Mar 2018 21:19:13 +0000 https://bpo.org/?p=6945 ... Read more »]]> After all of the planning, all of the coordination, the excitement, and the hoopla, it’s hard to believe that the tour has ended so quickly. But last night’s performance at the Centre of Culture in Lublin (Centrum Spotkania Kultur) was the final stop on this tour. The hall was completed in 2015. Its construction was a psychological triumph for the city, as it replaced a hall that had languished half-built throughout the 1980s and later opened in the mid-1990s as a scaled-back version of the originally conceived design. This concert was also sold-out — a delightful way to end the tour. This was a monumental experience for the orchestra. JoAnn Falletta called it “one of the most exciting weeks of my life.” Musicians enthusiastically documented the experience on their personal social media accounts. The entire organization is thankful for everyone who’s supported and followed our journey. We hope we made you proud. We thank you for the chance to do so. We expect to have more for you, including a post from cellist Robbie Hausmann about playing at Auschwitz in memory of his great-grandmother, so do keep checking back!

Hello from the future: inside the Center for Culture, Lublin.

The Center’s exterior is a giant marquee.

A poster at the Center. Our tour was presented by the Beethoven Easter Festival.

Our program.

A view from the sold-out house!

And a view from the wings.

Celebration time!

Violist Valerie Heywood and violinist Diana Sachs raising a glass to a successful tour.

Cheers!

More celebration!

In harmony: cellist Feng Hew and her husband, violinist Shieh-Jian Tsai, got to experience the Poland tour together.

Look at those smiles!

Viola power! JoAnn Falletta backstage at Lublin with some of the section.

Everyone else’s work is over, but the ops crew has another big job ahead of them. Remember our posts about palletizing, shipping, and getting everything inspected? They’re doing it all again!

 

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“The BPO is Perfect” https://bpo.org/the-bpo-is-perfect/ Thu, 22 Mar 2018 21:18:08 +0000 https://bpo.org/?p=6943 ... Read more »]]> That was the headline out of Warsaw that greeted us this morning on Twitter. This is one of the first reviews of our performances that we’ve been able to see in America. Written by Wojciech Giczkowski for his Teatralna Warszawa (“Warsaw Theater”) blog, it was nothing short of glowing!

We did the best we could through Google Translate to share it with you, but we do think some things got lost in translation, and we welcome corrections. Here is the original link:  https://teatralna-warszawa.blogspot.com/2018/03/buffalo-philharmonic-orchestra-is.html

Buffalo Philharmonic Orchestra is Perfect

This year’s 22nd Ludwig van Beethoven Easter Festival was graced by the performance of the Buffalo Philharmonic Orchestra, which has existed since 1938. The team outside the capital will perform in three cities: Katowice, Wrocław and Lublin. American guests will play in Poland under the baton of the world-famous conductor, and also the musical director of the orchestra, JoAnn Falletta, who is known to be Leonard Bernstein’s student. The program of the musicians from the city on the Niagara River, who have received Grammy awards and give over 120 concerts annually, is focused on the presentation of twentieth-century American music. This musical offer can be surprising for many, because it is strongly anchored in the American tradition, i.e. jazz and blues.

At the beginning, we listened to Symphony No. 1 op. 9 Samuel Barber, which was the first piece by an American composer to be presented at the Salzburg festival (1937). JoAnn Falletta directed the musicians to show the emotional and lyric-dramatic nature of the song. It is worth noting that when she became the music director of the Buffalo Philharmonic Orchestra in 1999, Maestro Falletta became the first woman to lead one of the great American orchestras, and Elżbieta Penderecka had been trying for years bringing this great artist and her orchestra to Poland.

The festival audience was the most surprised when Krystian Zimerman at the inauguration with a smile played jazz elements of Bernstein’s “The Age of Anxiety”. Meanwhile, the dynamic Conrad Tao, a pianist and composer playing Piano Concerto in F major George Gershwin, no longer surprised anyone, because everyone knows that the author of “Rhapsody in Blue” wanted to be a composer of classical music, which he decided to combine with energetic American folk music. In the presented composition, we hear Charleston in Allegro, and two blues motifs in Adagio, similar to the motif from the first part. At Allegro Agitato, the orchestra plays the second blues theme, and the piano responds with a secondary motif. Conrad Tao turned out to be a sensational pianist for this orchestra to perform with. He was ideally suited to the interpretation of this humorous and fun piece. The second part of the Buffalo Philharmonic concert opened with the Adagio from Krzysztof Penderecki’s Symphony No. 3. They surprised the audience with a beautiful performance of the melody and created a nostalgic, romantic atmosphere. In their interpretation, the lyrical melody went from strings to horns, flutes and piccolo and to other instruments, and was variationally variation on the background of the orchestral accompaniment, subtly changing the timbre. It was beauty and perfection in one. After the end, JoAnn Falletta turned to the hall and thanked Krzysztof Penderecki on the balcony with a deep bow. The moved audience thanked the composer and performers at the same time. At the end, the orchestra commemorated the 100th anniversary of the birth of Leonard Bernstein and played his “West Side Story symphonic dances”. A well-known remake of the tragic story of lovers from Verona is a famous musical from 1957. In the symphonic version, the variability of moods and emotions shows how great was the inventiveness of the composer, especially in the search for melodies and rhythms. The dances combine three popular sounds associated with the most famous songs from this musical. It was a real American evening of the festival. He warmed even the most frozen viewers who came to the National Philharmonic.

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